It started in 1972 with a close-up of a nearby currawong, her eye filled the lens. There followed a surprising moment when an exchange of awareness took place. Sketches were made for a future series that would emphasise the character of the bird over any attempt at ornithological realism.
Currawong
Giclee print. 2015. >details and sales...
Magpie
Giclee print. 2018. >details and sales...
Crested Pidgeon
Giclee print. 2015. >details and sales...
Cockatoo
Giclee print. 2017. >details and sales...
Ibis
Giclee print. 2015. >details and sales...
Silver Gull
Giclee print. 2015. >details and sales...
You Yangs Crow
Giclee print. 2017. >details and sales...
King Parrot (Queen)
Giclee print. 2017. >details and sales...
King Parrot
Giclee print. 2016. >details and sales...
Corella
Giclee print. 2017. >details and sales...
Chough
Giclee print. 2016. >details and sales...
Galah, You Yangs
Giclee print. 2018. >details and sales...
Female Galah, You Yangs
Giclee print. 2018. >details and sales...
Cockatoo Inverted
Giclee print. 2018. >details and sales...
Reality is relative. Who is watching? How can we access a view of reality free from intrusive thoughts? How do we sustain this state? Why are thoughts so powerful? What keeps us caught in repetitive loops of thoughts? How do we break the thought barrier?
Living the Dream ●●●●●
Digital Painting. Giclee edition, 2018. details & sales...
First Movement ●●●
Digital Painting. Giclee edition, 2017. details & sales...
Holding on ●●● (large format) ●
Digital Painting. Giclee edition, 2016. details & sales...
Letting Go ●●
Digital Painting. Giclee edition, 2017. details & sales...
Chakra Workshop - Sensorium ●●●
Digital Painting. Giclee edition, 2018. details & sales...
Pool Room Buddha - Sensorium ●
Digital Painting. Giclee edition, 2018. details & sales...
She Who Tears Apart Thought ●
Digital Painting. Giclee edition, 2015. details & sales...
The world of Nature and the world of Human Behaviour.
Not Yet Still Life ●●●
Digital Painting. Giclee edition, 2019. >details & sales...
First light, Simpson Desert
Digital Painting. Giclee edition, 2021
Parrots in the grass, Thora ● (large format) ●●
Digital Painting. Giclee edition, 2018. details & sales...
Landscape#1 ●
Digital painting. Giclee Print. 2015 Details and sales
Landscape#2 ●●
Digital painting. Giclee Print. 2019 >details and sales
Mainstream ●●
Digital Painting. Giclee edition, 2018. details & sales...
Big Dune, Thurra River
Digital painting. Giclee print 2015 Details and sales
Perception
Digital painting. Giclee Print. 2015 Details and sales
The Final Selfie ●
Digital Painting. Giclee edition, 2018. details & sales...
The editions of large serigraphs shown below were printed in 1984-6 using the tusche method. Individual stencils were created by painting direct onto the silk with tinted acacia gum, then reversed out. Up to 20 screens were produced in this manner for each print, one for each colour.
Overview Murray River ●●●●●●●●●●●●●●●●●●●●●●●●●
Screenprint. 1986. Edition of 40. Some available.
Overview Murray River
Detail
Avoca Leaf
Screenprint. 1985. Ed.40. Edition sold.
Avoca Leaf detail
Thurra Leaf ● Edition Sold
Screenprint. 1985. Edition of 40.
Dry Leaf ● 4 left
Screenprint. 1985. Edition of 40. Four available.
Grevellia ● Edition sold.
Screenprint. 1984. Edition of 40.
Thora 1 ● Edition Sold
Screenprint 1984 Edition of 40.
In descending order, selections from various periods scanned or photographed from remaining records.
Chaffeys Dream - (Commission) - Sold
1988 | Oil on Linen | 305cm x 152cm
Insectivore (first in a series of grotesque children’s’ toys)
1988 | Oil on Linen | 60cm x 91cm
Murray Overview - Edge of Interior - Sold
1987 | Pastel on Stonehenge paper | 120cm x 90cm
You Yangs Dreaming - Sold
1987 | Pastel on Stonehenge paper | 120cm x 90cm
Simpson Overview
1987 | Pastel on Stonehenge paper | 120cm x 90cm
Murray Overview Lake Victoria - Sold
1986 | Pastel on Stonehenge paper | 61cm x 61cm
Little River - Sold
1986 | Pastel on Stonehenge paper | 61cm x 61cm
Pink Lakes - Sold
1986 | Pastel on Stonehenge paper | 61cm x 61cm
Murray Overview Edge of Interior - Sold
1986 | Pastel on Stonehenge paper | 61cm x 61cm
Murray Overview Big Bend - Sold
1986 | Pastel on Stonehenge paper | 61cm x 61cm
Meditation (inner recording).
1974 | ink on paper | 28cm x 38cm
To The Source (inner recording)
1972 | Ink on paper | 35cm x 22cm
Self portrait - transition (inner recording)
1972 | Ink on paper |
Transformer (inner recording).
1972 | Ink on paper | 22cm x 22cm
Self portrait - breaking the thought barrier (inner recording).
1972 | ink on paper | 28cm x 28cm
Into Infinity
1972 | Oil on Linen | 122cm x 122cm | Shown in situ at Blake Prize finalists, Sydney.
Trip to the city (inner recording).
1971 | Ink on paper | 31cm x 35cm
Dynamic birth (Damaged painting, image retouched). NFS.
1971 | Oil on linen on board | 34cm x 34cm
Three girls on a wall with self portrait ● NFS
Acrylic on board. 3'x 4' 1966
Painted during the Loved One's period.
Kim has been experimenting with digital printmaking since 1987. Digital inkjet printing (Giclee) is now an accepted printmaking medium. All his work is hand crafted. Sometimes it will take three or four passes to pull a good print. The images are not reproductions. They are painted direct using a stylus brush and tablet. Kim is also restoring his old drawings and works on paper that have been damaged over time. Each work is archival quality. Most examples on this page are Giclee editions and are available via the Stock Room page.
The editions of screenprints shown here were printed in 1984-6 using the tusche method. Individual stencils are created by painting direct onto the silk with tinted acacia gum, then reversed out. Up to 20 screens were produced in this manner for each print, one for each colour.
